WRKBKS vs. PhotoMemo: What Actually Belongs in a Film Log

WRKBKS vs. PhotoMemo: What Actually Belongs in a Film Log

Most film logs are lined notebooks with "Film Photography" printed on the cover. PhotoMemo is one of them. Ours isn't.

We built the WRKBKS Film Photography Log around one idea: every frame is its own decision. Camera, lens, exposure, subject — they can all change shot to shot, even within the same roll. A log that only leaves room for one camera, one lens, and one location per roll isn't logging your process. It's logging a guess.

Here's what that looks like side by side.

Per-Roll vs. Per-Shot

PhotoMemo gives you one field for Lens and one for Location, at the top of the spread. That assumes you shoot a whole roll on one lens, in one place. Plenty of photographers don't.

Our log puts Focal Length and Subject/Location in the per-shot table — 36 numbered rows, one for every frame on a standard 35mm roll. Change lenses mid-roll, move across town between frames — it's all still logged correctly.

The Full Comparison

Field WRKBKS Film Photography Log PhotoMemo
Camera Top-left, easy to find Top of spread, secondary to Roll #
Roll # Pre-printed, upper right Blank line, write it in
Dates Date Loaded + Date Exposed Start Date + End Date
Film / ISO Same box, plus a separate Frame Count field One line for both
Format Checkboxes for Color/B&W, 35mm, 120, or write-in Not specified
Expiration date Dedicated field None
Lens Logged per shot One field per roll
Location Logged per shot One field per roll
Shot log 36 numbered rows — Subject/Location, Focal Length, F-Stop, Speed, Flash, Tripod Unlabeled lines, ~34 shots
Developing notes Full B&W and color notes — times, mixtures, Developed On date Checkboxes for pushed/pulled, stops, processed/scanned/archived
Spreads per book 22 23 (sold as a 2-pack)

Why We Kept It to 22 Spreads

PhotoMemo sells more spreads for the same price. We'd rather give you 22 spreads that actually hold your process than more pages with less on each one. A properly logged roll — camera, per-shot exposure data, full developing notes — takes more room than a place to jot a location once and move on.

Bottom Line

If you shoot a full roll in one place on one lens and just want a record that it happened, a basic notebook works fine. If your rolls move between locations, lenses, and lighting — which is how most film photographers actually shoot — you need a log built for that. That's what we built.

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Black and white portrait of Dustin wearing a cap and glasses with a dark background

About the Author

Dustin is the founder of WRKBKS and a designer with over two decades of experience across marketing agencies, in-house creative teams, and his own ventures. He holds degrees in both Web Design and Graphic Design and has worked on some of the most recognizable brands and moments in recent memory — including Newell's Ball Blue Book (Edition 38), design support for the Sochi 2014 Olympic branding, and creative work for two USA Summer Olympic teams.

Earlier in his career, he was a designer at Borders Bookstores, where his work touched everything from email campaigns and landing pages to the screensaver running on their in-store kiosks. He later founded Hanger3, an e-commerce brand that turned vintage subway tokens into wearable jewelry — a venture that earned him features in several well-known publications.

WRKBKS is his latest project: a line of purpose-built pocket notebooks and EDC stationery, printed in Indiana, designed from scratch, and built to be used.